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Set in an underground dungeon inhabited by bundled, ragged human beings, after the nuclear holocaust. The story follows the wanderings of a hero through the situations of survival. People wait for the Ark to arrive and rescue them while their habitat falls apart. Delving deep into the dusty and long abandonded vaults of b-cinema in search of lost gems always leaves me with a bittersweet taste. On one hand the discovery of unexpected gems where no one would think them possible is a rewarding experience. On the other hand though it makes one wonder how many of these remarkable low-budget oddities, personal love affairs of directors never quite famous and now all but forgotten, have almost forever slipped from memory? n any case what we have here is a little post-apocalyptic gem from Poland that is really better than it has any right to. The dystopian near future of O-BI, O-BA finds a group of survivors of the nuclear war that ravaged the Earth inhabiting an underworld concrete bunker and biding their time as they wait for the mysterious Ark, an air ship of some kind that will come and save them. The Ark proves to be an elaborate hoax, carefully designed to give hope to the malnourished and desperate denizens of the bunker, while in the meantime the dome that separates their miserable existence from the nuclear winter outside is slowly caving in. What first striked me about the movie is the design of the bunker and the depiction of the survivors. The survivors are gaunt, filthy and terrible-looking penitents, dressed in rags and aimlessly wandering the neon-lit halls of the bunker like automatons. The bunker is a rundown, seedy place, with bright neon lights peering from all sides like the eyes of malignant beasts. On one hand it is a slightly 80's depiction of the dystopian future but the movie never stoops down to MAD MAX cheese. Instead it combines biting political satire with the bleak outlook of a world with no future, black comedy with barbs on apathy, religion and power. The survivors, for example, are fed some kind of flour dropping from a tube that hovers in the air - later on we discover the food supervisor uses books and the Bible itself as filler for this meagre meal. There are many such short symbolic touches, perhaps not life-changing or faith-restoring, yet playful, clever and inspired. One thing is for sure; O-BI, O-BA is not your run-of-the-mill sci-fi schlock. It overcomes its modest budget with creativity and has genuine artistic aspirations both from a writing and directing perspective. My opinion is that it should have been filmed in black and white instead of colour though. The director uses atmospheric light and shadow to great effect and it would have registered even better in stark black and white. The blue-green neon on the other hand outstays its welcome after a while. Just a minor gripe in an otherwise solid b-movie with its heart set in all the right places. Imagine a less bleak THE ROAD (Cormac McCarthy) being injected with the satire and humour of DR.STRANGELOVE and you're getting there. See it if you can find it.
耶日·斯图尔,克里斯提娜·杨达,卡里娜·谢鲁斯克,马里乌什·德莫霍夫斯基,马雷克·瓦尔切夫斯基,扬·诺维茨基,亨里克·比斯塔,莱昂·涅姆奇克,克兹佐夫·马扎克,斯坦尼斯瓦夫·伊加尔
幸福2024
影片改编自《下妻物语》等经典作品的原作---嶽本稔明的同名小说。故事讲述了得知女友一周后就要死亡的“我”和“她”的青春物语。
洼冢爱流,莳田彩珠
灰色女士
A Boston police officer goes to Nantucket to investigate the murder of his partner, but he finds more than he bargained for.
埃里克·迪恩,Natalie Zea,Amy Madigan,艾德里安·莱斯特,Carolyn Stotesbery,Chris Meyer,Rebecca Gayheart,Jimmy Cummings,Laila Robins
判妖邪
残唐乱世,瘟疫横行,传言妖女吴双化为邪祟祸害人间。然而,吴双的哥哥不良人吴令,从不相信自己善良的妹妹会是所谓妖女,他决心以缝尸还魂的秘术,复活被斩首的妹妹,在暗影涌动的瘟神庙中,设下诡局,审判真正的恶人,求一份清白与公道。 影片根据短篇小说《古庙夜谭》改编。
韩栋,赵黛溪,都桂宇,刘旭,宋海颉
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不是我请问了,阅点只能抵40%,那V会员每天领的用不完是拿来看的吗
《黑色指甲油》,突然想起了一位故人
我真的服了,太吊胃口了,让我爽一下吧,再更新一画吧,求你了
然后呢?断的太难受了,有没有剧t一下,还有种师师什么时候服输
想看点主角和丫鬟和那个金剑娘的互动,
敌进我退,敌驻我扰,敌疲我打,敌退我追,不愧是接受过毛爷爷红色教育的穿越者
那作者能不能画个双马尾的雨总呢?[:a狗头:][:a狗头:]
从开始看的人真的很幸福,后面都删了还有白雾
求连更啊,想看边境结果,月票必上一叠